Sydney icons Panasonic FZ1000.2 |
This has given bridge cameras a new lease of life.
Sales of fixed lens digital still cameras in 2022 were about
2% the level reported by CIPA in 2008. CIPA does not identify which of those
fixed lens cameras are bridge types and which are small compacts and others.
There are still some bridge cams on the market and some of
these deliver very good results while providing an enjoyable user experience.
Bridge cams have some very useful photographic features
which interchangeable lens models, small compacts and smartphones do not. These
include a fully ergonomic design with substantial handle and thumb rest and a
set of controls much the same as we can find on a mirrorless interchangeable
lens model. Bridge cams have an integral compact lens of greater zoom range
than we will find on the front of an interchangeable lens camera. They have a
built-in electronic viewfinder above the optical axis of the lens and an
articulated monitor screen. Most of these are fully articulated and touch
sensitive for maximum versatility.
Here is a round up of models available new in August 2023.
We can summarise the main features of each in a table:
Make and model | Size mm | Box Vol cc | Mass g | Sensor Diag mm | Pixel count | Zoom range | Lens focal
length and aperture | New price in
Aust in AUD Incl GST | OK ? |
Canon SX70 | 127 91 117 | 1352 | 608 | 7.67 | 20 | 65x | 21-1365 F3,4-6.5 | 819 | - |
Nikon P950 | 140 110 150 | 2310 | 1005 | 7.67 | 16 | 83x | 24-2000 F2.8-6.5 | 1329 | - |
Nikon P1000 | 183 147 119 | 3200 | 1420 | 7.67 | 16 | 125x | 24-3000 F2.8-8 | 1415 | - |
Pana Lumix FZ300 | 132 92 117 | 1421 | 691 | 7.67 | 12 | 24x | 25-600 F2.8 | 899 | Y |
Pana Lumix FZ1000 Mk2 | 136 97 132 | 1741 | 810 | 15.9 | 20 | 16x | 25-400 F2.8-4 | 1299 | Y |
Pana Lumix FZ2500 | 138 102 135 | 1900 | 915 | 15.9 | 20 | 20x | 24-480 F2.8-4.5 | 1459 | Video |
Sony RX10.4 | 133 94 145 | 1813 | 1095 | 15.9 | 20 | 25x | 24-600 F2.8-4 | 1994 | Y |
Notes:
1. We can have a Leica V Lux 5 for AU2290. This is a
Panasonic Lumix FZ1000.2 with a Leica logo, some neater styling around the top plate and strap lugs, different non
slip material and a very expensive red dot on the front.
2. All focal lengths expressed as full frame equivalents.
3. I recommend RAW capture with all these bridge cams then
post processing in Adobe bridge, Camera Raw and Photoshop. JPG capture will not
allow any of these cameras to deliver their best possible results. The cameras
are best used by enthusiast photographers who know how to take control of the
capture process for optimum results. They are not point-and-shoots for selfies
by happysnappers. selfies.
4, Each of these cameras can do video, some more capably
than others with 4K available.
Manly beach 30 July 2023 Panasonic FZ1000.2 |
Canon Powershot SX70 HS
This is the smallest, lightest and in my estimation the
least desirable model in this group. The specifications look interesting but in
practice the SX70 is disappointing. There is no hotshoe, no filter thread, no
lens hood bayonet mount and the monitor screen is not touch sensitive. The old
style contrast detect autofocus is decently accurate on static subjects but
slow especially in low light. The lens does a reasonably good job in the middle
of the zoom range but has a lot of color fringing at the wide end and is not
sharp at the long end. The handle is comfortable but there is only one control
dial. Image quality is dominated by massive levels of digital noise with poor
detailing and variable color rendition.
The only reason I can think of to buy this camera would be
if one always buys Canon. Unfortunately, mediocre models like this damage the
brand and the status of bridge cams in general. Canon has all the technology
required to make a really good bridge camera. Please……………..
Nikon Coolpix P950
I owned a P900 some years ago and spent time with it. The
P950 is a minor upgrade to the P900. These ultrazooms with the tiny 7.67mm
sensor are always struggling at the long end of the zoom. An aperture of f2.8
on this camera is equivalent to 2.8 x 5.55 = about f16 on a full frame camera.
This means diffraction limited sharpness loss is already present at the widest
available aperture and only gets worse as we zoom out. Add to this the
inherently consumer level quality of the lens itself and the likelihood that it
will be used to photograph distant subjects with the influence of haze and
atmospheric distortion and we have a recipe for image quality which is mediocre
at best and that’s on a good day with bright light and good contrast.
Nikon Coolpix P1000
Pump the P900 up with growth hormone and we get the P1000.
This thing is huge, which seems to defeat one of the main advantages of bridge
cameras, namely their compact size. I have not used this particular model but
as noted above am unimpressed by real world results with ultrazooms on mini
sensor cameras.
I can’t recommend either of the Nikons. Their selling point
is the ultrazoom lenses which look better on the spec sheet than they perform
in the real world.
Panasonic Lumix FZ300
This is an upgrade to the FZ200 which gained a minor cult
following for its 25-600mm (equivalent) constant f2.8 lens. The FZ300 retains
the sensor and lens and adds an improved body, better DFD autofocus, weather
resistant construction, better controls and better performance.
I rate the FZ300 as easily the best of the mini sensor
models in this little roundup and the only one I can recommend.
It does everything better than the SX70 which is a close
match for size and price.
I rate the FZ300 as my personal favourite of all the cameras
in this roundup because of the amount of imaging capability and performance it
packs into such a compact, moderately priced package.
The biggest bridge cam on the left and the smallest on the rightPhoto courtesy of camerasize.com |
Panasonic Lumix FZ1000.2
Now we move up to three models with the larger 15.9mm
diagonal sensor which has about 4x the area of the mini sensors in the models
above permitting better image quality but a requiring a shorter zoom range. The FZ1000.2 is an upgrade to the FZ1000 with
the same sensor and lens but with a better set of controls, improved menus and
improved performance. The user interface is well designed and implemented and
the operating experience is very satisfying for an experienced user with
controls which are well placed, have good haptics and well chosen functions.
Within the focal length range of 25-400mm the FZ1000.2
delivers very good to excellent results in a wide variety of photographic
situations from landscape and close-ups to documentary, street, portrait,
sport/action and wildlife.
Panasonic Lumix
FZ2500
This model is aimed mainly at videographers. Everything on
board including the lens design, controls and extensive video options are
configured for videography. As a still camera I found the lens unacceptably
soft although some users have indicated they are happy with the lens for still
photos. The lens extends fully when powered on and thereafter zooms internally,
making for a long lens barrel.
Sony Cyber-Shot
RX10.4
This is the most technologically advanced and expensive
model of the group. It has a stacked high speed sensor, phase detect autofocus
and high speed performance not available in any other model in this roundup.
The 24-600mm lens offers greater reach than the 25-400mm
lens in the FZ1000.2.
It is the best camera in this roundup for wildlife,
sport/action and birds both perched and flying.
Unfortunately the user interface can be frustrating and
would benefit from a complete re-design from the ground up. The menus are old
style Sony with like items scattered about in different submenus, multiple
mystery items and overly complicated navigation. The physical controls are a
strange mixture, unlike any other Sony or other mainstream camera model . There
is no front dial, the rear dial is located where a joystick could be, there is
a fixed function exposure compensation dial where an unmarked rear control dial
could go, the monitor screen is not fully articulating, aperture is changed
with a ring on the lens, there is an LCD screen which is not required but which
bumps the Mode Dial off to a suboptimal location on the left side of the
viewfinder housing. The one which caught me out all the time when I was using
the RX10.4 is the little rotary dial lower left on the front of the camera
controlling S, A, C, MF focus mode. This is cleverly positioned so we cannot
see it when operating the camera so it is very easy to overlook.
So, advanced technology, ergonomics in need of a major
upgrade. It’s a Sony.
Summary
Bridge cameras have become much more attractive to
enthusiast photographers in 2023 than they were in 2022, due entirely to the
striking improvement in image quality enabled by new Adobe AI post processing
technologies.
Will camera makers respond to this by directing a bit of $$
to bridge cam R&D ?
All current model bridge cams could be greatly improved by
updates to autofocus and image processing technologies which camera makers
already have in their box of capabilities.
They don’t need to invent new stuff, just incorporate what they have
into bridge cams.
Please…………….